A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxii
... ment of the worth of the esthetic object . Judgment implies some standard of appraisal ; and in Chapter VIII , we can find various standards proposed . But perhaps the basic criterion of art is simply the richness and the fineness of ...
... ment of the worth of the esthetic object . Judgment implies some standard of appraisal ; and in Chapter VIII , we can find various standards proposed . But perhaps the basic criterion of art is simply the richness and the fineness of ...
Pagina 82
... ment , an experience remains incomplete ; physiologically and functionally , sense organs are motor organs and are connected , by means of distribution of energies in the human body and not merely anatomically , with other motor organs ...
... ment , an experience remains incomplete ; physiologically and functionally , sense organs are motor organs and are connected , by means of distribution of energies in the human body and not merely anatomically , with other motor organs ...
Pagina 358
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words