A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 275
... merely love , fear , anger , and so on , but a vast wealth of other unnamed but just as truly emotional experiences , is I believe the principal explanation of such opposition as there is to " emotionalist " theories of art . The so ...
... merely love , fear , anger , and so on , but a vast wealth of other unnamed but just as truly emotional experiences , is I believe the principal explanation of such opposition as there is to " emotionalist " theories of art . The so ...
Pagina 398
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
Pagina 462
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words