A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 10
... mind is not in- tuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
... mind is not in- tuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
Pagina 293
... minds , impossible to believe . For centuries they have been believed ; now they are gone , irrecoverably ; and the knowledge which has killed them is not of a kind upon which an equally fine organization of the mind can be based . This ...
... minds , impossible to believe . For centuries they have been believed ; now they are gone , irrecoverably ; and the knowledge which has killed them is not of a kind upon which an equally fine organization of the mind can be based . This ...
Pagina 392
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words