A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 99
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
Pagina 200
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
Pagina 309
... moral discourse a subspecies of technological discourse ( and so morality a form of technology ) . The question then arises as to the basis of differentiation . The moral attitude may be held to arise when the endeavor is made to ...
... moral discourse a subspecies of technological discourse ( and so morality a form of technology ) . The question then arises as to the basis of differentiation . The moral attitude may be held to arise when the endeavor is made to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words