A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 99
... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the triangle immoral as the Francesca of Dante immoral or the Cordelia of Shake- speare moral , for these have a ...
... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the triangle immoral as the Francesca of Dante immoral or the Cordelia of Shake- speare moral , for these have a ...
Pagina 184
... moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals - at least if by morals we mean moral economy and not moral superstition . On the other hand , the good , when ...
... moral good ; and the practice and enjoyment of art , like all practice and all enjoyment , fall within the sphere of morals - at least if by morals we mean moral economy and not moral superstition . On the other hand , the good , when ...
Pagina 200
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words