Dall'interno del libro
Risultati 1-3 di 24
Pagina 322
... then try to make the best of two worlds , the esthetic and the metaphysical , by
calling these relations “ rhythm , ” I have no quarrel whatever . Having made it
clear that by “ significant form ” I mean arrangements and combinations that move
...
... then try to make the best of two worlds , the esthetic and the metaphysical , by
calling these relations “ rhythm , ” I have no quarrel whatever . Having made it
clear that by “ significant form ” I mean arrangements and combinations that move
...
Pagina 324
I have been inquiring why certain combinations of forms move us ; I should not
have traveled by other roads had I enquired ... are perceived to be right and
necessary , and why our perception of their rightness and necessity is moving .
What I ...
I have been inquiring why certain combinations of forms move us ; I should not
have traveled by other roads had I enquired ... are perceived to be right and
necessary , and why our perception of their rightness and necessity is moving .
What I ...
Pagina 522
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture . It may from accident of language
and fashion and national or religious bigotry come in and out of popularity , but ...
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture . It may from accident of language
and fashion and national or religious bigotry come in and out of popularity , but ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole