A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 116
... move amidst generali- ties and symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in ...
... move amidst generali- ties and symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in ...
Pagina 324
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
Pagina 522
... move men of whatever age or culture . It may from accident of language and fashion and national or religious bigotry come in and out of popularity , but there it is ready to move the common man or the student who will put himself in ...
... move men of whatever age or culture . It may from accident of language and fashion and national or religious bigotry come in and out of popularity , but there it is ready to move the common man or the student who will put himself in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words