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Pagina 67
But illustrations may only obscure the fact that any practical activity will, provided
that it is integrated and moves by its own urge to fulfillment, have esthetic quality.
A generalized illustration may be had if we imagine a stone, which is rolling ...
But illustrations may only obscure the fact that any practical activity will, provided
that it is integrated and moves by its own urge to fulfillment, have esthetic quality.
A generalized illustration may be had if we imagine a stone, which is rolling ...
Pagina 322
Having made it clear that by "significant form" I mean arrangements and
combinations that move us in a particular way, I willingly join hands with those
who prefer to give a different name to the same thing. The hypothesis that
significant form is ...
Having made it clear that by "significant form" I mean arrangements and
combinations that move us in a particular way, I willingly join hands with those
who prefer to give a different name to the same thing. The hypothesis that
significant form is ...
Pagina 522
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture. It may from accident of language
and fashion and national or religious bigotry come in and out of popularity, but ...
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture. It may from accident of language
and fashion and national or religious bigotry come in and out of popularity, but ...
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |