A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 65
... movement of anticipation and cumulation , one that finally comes to completion . A " conclusion " is no separate and independent thing ; it is the consummation of a movement . Hence an experience of thinking has its own esthetic quality ...
... movement of anticipation and cumulation , one that finally comes to completion . A " conclusion " is no separate and independent thing ; it is the consummation of a movement . Hence an experience of thinking has its own esthetic quality ...
Pagina 276
... movement of Schu- bert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was de- scribed by Schumann as ' tender , girlish , confiding ' " ; adding that both he and Schumann held ...
... movement of Schu- bert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was de- scribed by Schumann as ' tender , girlish , confiding ' " ; adding that both he and Schumann held ...
Pagina 553
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words