A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 19
... nature . That's the whole secret . " 21 The imi- tative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beau- tiful by the display of a form with the help of visible symbols ...
... nature . That's the whole secret . " 21 The imi- tative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beau- tiful by the display of a form with the help of visible symbols ...
Pagina 60
... natural forms contain these emotional ele- ments ready made up for us , and all that art need do is to imitate Nature . " But , alas ! Nature is heartlessly indifferent to the needs of the imaginative life ; God causes His rain to fall ...
... natural forms contain these emotional ele- ments ready made up for us , and all that art need do is to imitate Nature . " But , alas ! Nature is heartlessly indifferent to the needs of the imaginative life ; God causes His rain to fall ...
Pagina 417
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words