A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 59
... necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is ...
... necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is ...
Pagina 191
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
Pagina 357
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words