Dall'interno del libro
Risultati 1-3 di 82
Pagina 42
J. Psych . , XII , 92-99 ) , the importance of the stage of adaptation which
precedes the apprehension of the esthetic object . “ There is a growing sense , ”
he then wrote , “ that here , if anywhere , we may find that bedrock upon which the
whole ...
J. Psych . , XII , 92-99 ) , the importance of the stage of adaptation which
precedes the apprehension of the esthetic object . “ There is a growing sense , ”
he then wrote , “ that here , if anywhere , we may find that bedrock upon which the
whole ...
Pagina 382
upon intuiting the immediate object , with all its concrete values , as abstracted
from its connections with things that lie beyond the “ frame ” of the experience .
Kant and Schopenhauer described the nature of this intense focusing upon the ...
upon intuiting the immediate object , with all its concrete values , as abstracted
from its connections with things that lie beyond the “ frame ” of the experience .
Kant and Schopenhauer described the nature of this intense focusing upon the ...
Pagina 445
But the self - exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction , not without inner
opposition . “ If I can give myself up to the suggested activity without inner
opposition , I ...
But the self - exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction , not without inner
opposition . “ If I can give myself up to the suggested activity without inner
opposition , I ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
21 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole