Dall'interno del libro
Risultati 1-3 di 82
Pagina 42
J. Psych . , XII , 92-99 ) , the importance of the stage of adaptation which
precedes the apprehension of the esthetic object . “ There is a growing sense , ”
he then wrote , “ that here , if anywhere , we may find that bedrock upon which the
whole ...
J. Psych . , XII , 92-99 ) , the importance of the stage of adaptation which
precedes the apprehension of the esthetic object . “ There is a growing sense , ”
he then wrote , “ that here , if anywhere , we may find that bedrock upon which the
whole ...
Pagina 382
upon intuiting the immediate object , with all its concrete values , as abstracted
from its connections with things that lie beyond the “ frame ” of the experience .
Kant and Schopenhauer described the nature of this intense focusing upon the ...
upon intuiting the immediate object , with all its concrete values , as abstracted
from its connections with things that lie beyond the “ frame ” of the experience .
Kant and Schopenhauer described the nature of this intense focusing upon the ...
Pagina 445
But the self - exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction , not without inner
opposition . “ If I can give myself up to the suggested activity without inner
opposition , I ...
But the self - exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction , not without inner
opposition . “ If I can give myself up to the suggested activity without inner
opposition , I ...
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abstract action activity actual appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition described desire direct Distance distinction distinguished dream effect elements emotions esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation represented result scientific seems sense shape significant simple social soul sound speak theory things thought tion true truth turn understand unity universal whole