A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 382
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . • Since the publication ...
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . • Since the publication ...
Pagina 382
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . Since the publication of ...
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . Since the publication of ...
Pagina 445
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words