A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 225
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
Pagina 482
... objectified is exactly that which he attempted to objectify , as on the question whether , after thoroughly " tasting " ( through con- templation of his work ) the feeling he has actually ob- jectified , he finds it to be one that he is ...
... objectified is exactly that which he attempted to objectify , as on the question whether , after thoroughly " tasting " ( through con- templation of his work ) the feeling he has actually ob- jectified , he finds it to be one that he is ...
Pagina 484
... objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can be asked , namely , the question whether the feeling actually objectified , i.e. , obtained from the object in ...
... objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can be asked , namely , the question whether the feeling actually objectified , i.e. , obtained from the object in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words