A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 30
... once apparent , and it would not be a difficult matter to find even more striking examples of the Golden Section in archi- tecture.3 But we must now leave the question of form , because form does not exhaust the properties of a work of ...
... once apparent , and it would not be a difficult matter to find even more striking examples of the Golden Section in archi- tecture.3 But we must now leave the question of form , because form does not exhaust the properties of a work of ...
Pagina 368
... once and once only . In the one case , we start with an idea already given , and work it out by repetition ; in the other , we have no definite , but only a very vague idea to start with , and construct it step by step . The one method ...
... once and once only . In the one case , we start with an idea already given , and work it out by repetition ; in the other , we have no definite , but only a very vague idea to start with , and construct it step by step . The one method ...
Pagina 539
... once had been the food its glory fed on : hatred of lies , scorn of riches , contempt of death , faith in the fair ... once more on the road ; to see the good and the hope it bears with it amidst all its threats of violence , amidst all ...
... once had been the food its glory fed on : hatred of lies , scorn of riches , contempt of death , faith in the fair ... once more on the road ; to see the good and the hope it bears with it amidst all its threats of violence , amidst all ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words