Dall'interno del libro
Risultati 1-3 di 29
Pagina xxv
I have remarked that every genuine work of art has an organic unity ; and to
create or appreciate a work of art requires a corresponding faculty - the ability to
sense things in their organic interrelatedness . This faculty is fundamental in
uniting ...
I have remarked that every genuine work of art has an organic unity ; and to
create or appreciate a work of art requires a corresponding faculty - the ability to
sense things in their organic interrelatedness . This faculty is fundamental in
uniting ...
Pagina 315
The content is the elements - in - relation ; the form is the relations - among -
theelements ; and the total work is the organic unity of relational elements .
Content and form , separately conceived , are not in the poem . It follows that the
content ...
The content is the elements - in - relation ; the form is the relations - among -
theelements ; and the total work is the organic unity of relational elements .
Content and form , separately conceived , are not in the poem . It follows that the
content ...
Pagina 451
... organic life , that is , to naturalism in the higher sense . The feeling of
happiness , which is revived in us by the expression of organic vitality , what
modern man calls beauty , is a satisfaction of that inner need of self - exercise , in
which Lipps ...
... organic life , that is , to naturalism in the higher sense . The feeling of
happiness , which is revived in us by the expression of organic vitality , what
modern man calls beauty , is a satisfaction of that inner need of self - exercise , in
which Lipps ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |