A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina xxv
... organic interrelatedness . This faculty is fundamental in uniting human beings , and it is cultivated primarily by ... organically con- nected . Deeply ingrained by means of art , this habit becomes second - nature , almost an instinct ...
... organic interrelatedness . This faculty is fundamental in uniting human beings , and it is cultivated primarily by ... organically con- nected . Deeply ingrained by means of art , this habit becomes second - nature , almost an instinct ...
Pagina 315
... organic unity of rela- tional elements . Content and form , separately conceived , are not in the poem . It follows that the content cannot be paraphrased - that a poem , for example , cannot really be translated . For we have in the ...
... organic unity of rela- tional elements . Content and form , separately conceived , are not in the poem . It follows that the content cannot be paraphrased - that a poem , for example , cannot really be translated . For we have in the ...
Pagina 451
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words