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Pagina 87
In every integral experience there is form because there is dynamic organization .
I call the organization dynamic because it takes time to complete it , because it is
a growth . There are inception , development , fulfillment . Material is ingested ...
In every integral experience there is form because there is dynamic organization .
I call the organization dynamic because it takes time to complete it , because it is
a growth . There are inception , development , fulfillment . Material is ingested ...
Pagina 167
The novel demands that we pass from the symbol to reality , and only then to the
affective organization ; biology demands that we go first to the concrete objects ,
and only then to their rational organization . Poetry passes straight from the word
...
The novel demands that we pass from the symbol to reality , and only then to the
affective organization ; biology demands that we go first to the concrete objects ,
and only then to their rational organization . Poetry passes straight from the word
...
Pagina 175
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |