A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 87
... organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment . Material is ingested and digested through interaction with that vital ...
... organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment . Material is ingested and digested through interaction with that vital ...
Pagina 167
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
Pagina 175
... organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one ... organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty ...
... organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one ... organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words