A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina vi
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
Pagina 152
... original nature ; 6 6 ART AND SEX . - The puritan has always suspected a relationship be- tween art and sex ; and in puritanical periods the artist , in aggressive reaction to this attitude , has often given a deliberate sexual appeal ...
... original nature ; 6 6 ART AND SEX . - The puritan has always suspected a relationship be- tween art and sex ; and in puritanical periods the artist , in aggressive reaction to this attitude , has often given a deliberate sexual appeal ...
Pagina 207
... original basis and justification of those habits . Minute knowledge is pursued at the expense of largeness of mind , and riches at the expense of comfort and freedom . This error is all the more specious when the derived aim has in ...
... original basis and justification of those habits . Minute knowledge is pursued at the expense of largeness of mind , and riches at the expense of comfort and freedom . This error is all the more specious when the derived aim has in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words