A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 103
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
Pagina 179
... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows increasingly subtle , the more the magic lantern show takes on new subtleties and fresh richnesses . Art tells us what ...
... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows increasingly subtle , the more the magic lantern show takes on new subtleties and fresh richnesses . Art tells us what ...
Pagina 461
... ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any thought of rising ...
... ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any thought of rising ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words