A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina xx
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
... painting the ordinary wall of the mean room , I paint infinity , a plain background of the richest , intensest blue that I can contrive , and by this simple combination of the bright head against the rich blue background I get a ...
Pagina 17
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
Pagina 252
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition ...
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words