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Pagina 22
In this sense the word "form" means something like "shape"; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice "forms" over a pond, or that dewdrops "form" on the twig of ...
In this sense the word "form" means something like "shape"; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice "forms" over a pond, or that dewdrops "form" on the twig of ...
Pagina 31
The shape in which matter achieves a balance of strength is its perfection, a
solution of its own particular problem in which there is no waste or superfluity. If
we add to, or take something from, that perfection, the shape loses its equipoise,
...
The shape in which matter achieves a balance of strength is its perfection, a
solution of its own particular problem in which there is no waste or superfluity. If
we add to, or take something from, that perfection, the shape loses its equipoise,
...
Pagina 462
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain.
That present and particular raising and lifting is merely the nucleus to which ...
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain.
That present and particular raising and lifting is merely the nucleus to which ...
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |