A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 24
... pattern , a pattern which the scientist himself will describe as " beautiful . " Proof that this pattern is not invented by the scientist , but does actually exist , can be obtained by passing an X ray through , say , a crystal of ...
... pattern , a pattern which the scientist himself will describe as " beautiful . " Proof that this pattern is not invented by the scientist , but does actually exist , can be obtained by passing an X ray through , say , a crystal of ...
Pagina 371
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
Pagina 374
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art ...
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words