A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 371
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
Pagina 372
... patterns of Giotto ; the vertically elongated shape patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns ...
... patterns of Giotto ; the vertically elongated shape patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns ...
Pagina 374
... patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or an ... patterns , as schemata of recurrent formal traits , can highlight generic formal features of concrete forms and formal ...
... patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or an ... patterns , as schemata of recurrent formal traits , can highlight generic formal features of concrete forms and formal ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words