A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 84
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
Pagina 85
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Pagina 520
... perceived . Each such experience is an esthetic experience . But the next point is the important one . Normally each successive perception funds the previous one and adds something new not perceived before . Some new detail comes out ...
... perceived . Each such experience is an esthetic experience . But the next point is the important one . Normally each successive perception funds the previous one and adds something new not perceived before . Some new detail comes out ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words