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Pagina 194
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
Pagina 520
It requires the two in contact to produce the perception and realize the quality . It
is true that the spectator can , once he has perceived the picture , bring up the
memory of it , but we shall not here concern ourselves with this phase of the
matter ...
It requires the two in contact to produce the perception and realize the quality . It
is true that the spectator can , once he has perceived the picture , bring up the
memory of it , but we shall not here concern ourselves with this phase of the
matter ...
Pagina 521
ceptions and of the ideal of the fully realized and funded perception at the end of
the series lies in the actual continuity of the physical work of art . It lies in this and
in the continuity of each spectator and in the considerable degree of uniformity ...
ceptions and of the ideal of the fully realized and funded perception at the end of
the series lies in the actual continuity of the physical work of art . It lies in this and
in the continuity of each spectator and in the considerable degree of uniformity ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |