A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 194
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
Pagina 520
... perception and realize the quality . It is true that the spectator can , once he has perceived the picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other ...
... perception and realize the quality . It is true that the spectator can , once he has perceived the picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other ...
Pagina 521
... perception which contains the funded experiences of many preceding perceptions . An initial perception is superficial and un- trustworthy unless the spectator has had much experience with similar works , or unless the work is clearly ...
... perception which contains the funded experiences of many preceding perceptions . An initial perception is superficial and un- trustworthy unless the spectator has had much experience with similar works , or unless the work is clearly ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words