A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 132
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
Pagina 347
... perhaps some unconscious holder of it may object : " Surely the action and the characters of Hamlet are in the play ; and surely I can retain these , though I have forgotten all the words . I admit that I do not possess the whole poem ...
... perhaps some unconscious holder of it may object : " Surely the action and the characters of Hamlet are in the play ; and surely I can retain these , though I have forgotten all the words . I admit that I do not possess the whole poem ...
Pagina 432
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words