A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 51
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
Pagina 411
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
Pagina 502
... person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is - and there is also such a thing ...
... person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is - and there is also such a thing ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words