A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 134
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
Pagina 135
... phantasies as being childish and as something prohibited . If they are concealed with so much secretiveness , you will ask , how do we know so much about the human propensity to create phantasies ? Now there is a certain class of human ...
... phantasies as being childish and as something prohibited . If they are concealed with so much secretiveness , you will ask , how do we know so much about the human propensity to create phantasies ? Now there is a certain class of human ...
Pagina 137
... phantasies , but I will only allude as briefly as possible to certain points . If phantasies become over - luxuriant and over - powerful , the necessary conditions for an outbreak of neurosis or psy- chosis are constituted ; phantasies ...
... phantasies , but I will only allude as briefly as possible to certain points . If phantasies become over - luxuriant and over - powerful , the necessary conditions for an outbreak of neurosis or psy- chosis are constituted ; phantasies ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words