A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 136
... phantasy , castles in the air or daydreams , are stereotyped or unchangeable . On the contrary , they fit themselves ... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The ...
... phantasy , castles in the air or daydreams , are stereotyped or unchangeable . On the contrary , they fit themselves ... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The ...
Pagina 143
... phantasy - life of very general interest . There is , in fact , a path from phantasy back again to reality , and that is - art . The artist has also an introverted disposition and has not far to go to become neurotic . He is one who is ...
... phantasy - life of very general interest . There is , in fact , a path from phantasy back again to reality , and that is - art . The artist has also an introverted disposition and has not far to go to become neurotic . He is one who is ...
Pagina 144
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words