A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 95
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
Pagina 96
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
Pagina 210
... physical conditions , they depend on the activity of the eye and the ear , of the memory and the other ideational functions of the brain . But we do not connect those pleasures with their seats except in physiological studies ; the ...
... physical conditions , they depend on the activity of the eye and the ear , of the memory and the other ideational functions of the brain . But we do not connect those pleasures with their seats except in physiological studies ; the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words