A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 239
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
... picture , is , as you know them at home so to speak , the tree or the person of the picture . Poetry no more keeps its meaning when turned into corresponding prose , than a picture or a sonata keeps its meaning in the little analyses ...
Pagina 438
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
Pagina 520
... picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other possible reproduc- tions of the original . Strictly speaking , the quality of the picture is only ...
... picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other possible reproduc- tions of the original . Strictly speaking , the quality of the picture is only ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words