A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 96
... pleasure and therefore at keeping off a pain , art , considered in its own nature , has nothing to do with the useful and with pleasure and pain , as such . It will be ad- mitted , indeed , without much difficulty , that a pleasure as a ...
... pleasure and therefore at keeping off a pain , art , considered in its own nature , has nothing to do with the useful and with pleasure and pain , as such . It will be ad- mitted , indeed , without much difficulty , that a pleasure as a ...
Pagina 142
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
Pagina 210
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole