A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 340
... poem , and who said , for example , that the subject of The Ancient Mariner was a sailor who killed an albatross and suffered for his deed . Now the subject , in this sense ( and I intend to use the word in no other ) , is not , as such ...
... poem , and who said , for example , that the subject of The Ancient Mariner was a sailor who killed an albatross and suffered for his deed . Now the subject , in this sense ( and I intend to use the word in no other ) , is not , as such ...
Pagina 342
... poem or the débris of a poem . It is not an abstract idea or a bare isolated fact , but an assemblage of figures , scenes , actions , and events , which already appeal to emo- tional imagination ; and it is already in some degree or ...
... poem or the débris of a poem . It is not an abstract idea or a bare isolated fact , but an assemblage of figures , scenes , actions , and events , which already appeal to emo- tional imagination ; and it is already in some degree or ...
Pagina 348
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words