A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 168
... poetry , that just as mathematics escapes almost altogether from the subjective qualities of matter , so music ( unlike poetry ) escapes almost altogether from the objective references of sounds . Therefore the musician is even preciser ...
... poetry , that just as mathematics escapes almost altogether from the subjective qualities of matter , so music ( unlike poetry ) escapes almost altogether from the objective references of sounds . Therefore the musician is even preciser ...
Pagina 176
... poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the apparent triteness of old poetry which yet is a great triteness . From new poets we demand new ...
... poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the apparent triteness of old poetry which yet is a great triteness . From new poets we demand new ...
Pagina 335
... poetic value . It does so because it tends to change the nature of poetry by taking it out of its own atmosphere . For its nature is to be not a part , nor yet 335 Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on ...
... poetic value . It does so because it tends to change the nature of poetry by taking it out of its own atmosphere . For its nature is to be not a part , nor yet 335 Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words