A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 25
... possible structure for a mass of adjacent cells , but theoretically it is also the most economical , the one which requires the least possible amount of labor and wax . But it is no longer assumed that economy is the object of this ...
... possible structure for a mass of adjacent cells , but theoretically it is also the most economical , the one which requires the least possible amount of labor and wax . But it is no longer assumed that economy is the object of this ...
Pagina 391
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
Pagina 483
... possible for a feeling to become so ) , is in turn a pre- requisite of criticism of one's work in terms of the second question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly ...
... possible for a feeling to become so ) , is in turn a pre- requisite of criticism of one's work in terms of the second question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words