A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 6
... practical needs , and an “ imaginative life " of disinterested contemplation . In imaginative vision abstracted from necessity , man attains not only a greater clearness of sensory perception but a greater expressiveness and freedom of ...
... practical needs , and an “ imaginative life " of disinterested contemplation . In imaginative vision abstracted from necessity , man attains not only a greater clearness of sensory perception but a greater expressiveness and freedom of ...
Pagina 86
... practical , emotional , and intellectual from one another and to set the properties of one over against the character- istics of the others . The emotional phase binds parts to- gether into a single whole ; " intellectual " simply names ...
... practical , emotional , and intellectual from one another and to set the properties of one over against the character- istics of the others . The emotional phase binds parts to- gether into a single whole ; " intellectual " simply names ...
Pagina 209
... practical sanctions . It is an evidence that the superstitious imagination has invaded the sober and practical domain of morals . Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from ...
... practical sanctions . It is an evidence that the superstitious imagination has invaded the sober and practical domain of morals . Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words