A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina xxix
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
Pagina 142
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
Pagina 392
... present experience , and there cannot be any rest for us until we accept what it offers this moment instead of looking with the eyes of science to what it promises for the future . The highest truth thus lies not in the infer- ence to ...
... present experience , and there cannot be any rest for us until we accept what it offers this moment instead of looking with the eyes of science to what it promises for the future . The highest truth thus lies not in the infer- ence to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words