Dall'interno del libro
Risultati 1-3 di 69
Pagina 43
VII Summary This preliminary definition of art must halt at this point. We have
seen that two main principles are involved— a principle of form, derived, in our
opinion, from the organic world, and the universal objective aspect of all works of
art; ...
VII Summary This preliminary definition of art must halt at this point. We have
seen that two main principles are involved— a principle of form, derived, in our
opinion, from the organic world, and the universal objective aspect of all works of
art; ...
Pagina 149
The economic, or, if you prefer, the quantitative factor, which is so closely bound
up with the pleasure- principle, dominates all its processes. ..." * As for the ego,
Freud says that we can hardly go wrong if we regard it as "that part of the id which
...
The economic, or, if you prefer, the quantitative factor, which is so closely bound
up with the pleasure- principle, dominates all its processes. ..." * As for the ego,
Freud says that we can hardly go wrong if we regard it as "that part of the id which
...
Pagina 357
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Indice
Reality and Imagination | 3 |
Having an Experience From An as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |