Dall'interno del libro
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Pagina 43
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
Pagina 347
No doubt you may say , speaking loosely , that in this poet or poem the aspect of
substance is the more noticeable , and in that the aspect of form ; and you may
pursue interesting discussions on this basis , though no principle or ultimate ...
No doubt you may say , speaking loosely , that in this poet or poem the aspect of
substance is the more noticeable , and in that the aspect of form ; and you may
pursue interesting discussions on this basis , though no principle or ultimate ...
Pagina 357
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |