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Pagina 75
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Pagina 78
The doing or making is artistic when the perceived result is of such a nature that
its qualities as perceived have controlled the question of production . The act of
producing that is directed by intent to produce something that is enjoyed in the ...
The doing or making is artistic when the perceived result is of such a nature that
its qualities as perceived have controlled the question of production . The act of
producing that is directed by intent to produce something that is enjoyed in the ...
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |