A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 32
... produce either harmony or discord of music , so from the scale of the spectrum you can produce a similar harmony or discord of color . In considering the use of color in the work of art we must remember two further facts : first , that ...
... produce either harmony or discord of music , so from the scale of the spectrum you can produce a similar harmony or discord of color . In considering the use of color in the work of art we must remember two further facts : first , that ...
Pagina 417
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres ...
Pagina 541
... produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so proud , has it any right to be proud of the use they ...
... produce afresh that loveliness and order which only the hand of man guided by his soul can produce ; what have they done for us now ? Those machines of which the civilized world is so proud , has it any right to be proud of the use they ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words