A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 18
... produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests form , in the metaphysical ...
... produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests form , in the metaphysical ...
Pagina 160
... produces its onward movement ? Evi- dently it can only be a special form of the contradiction which produces the whole ... produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new ...
... produces its onward movement ? Evi- dently it can only be a special form of the contradiction which produces the whole ... produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new ...
Pagina 416
... produces , so far as " naturalism " and " idealism " in Art are not meaning- less labels , the usual result that what ... produced echoes everywhere , in Lessing's Laocoon no less than in Burke's famous statement that " all Art is great ...
... produces , so far as " naturalism " and " idealism " in Art are not meaning- less labels , the usual result that what ... produced echoes everywhere , in Lessing's Laocoon no less than in Burke's famous statement that " all Art is great ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words