A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 35
... psychological types into which human beings can be divided are determined by the predominance of one par- ticular impulse or group of impulses . What I am saying , therefore , is simple enough and should always have been admitted ...
... psychological types into which human beings can be divided are determined by the predominance of one par- ticular impulse or group of impulses . What I am saying , therefore , is simple enough and should always have been admitted ...
Pagina 450
... psychological needs , satisfies psychological needs . The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means to happiness . These values stand naturally in a causal relation to the ...
... psychological needs , satisfies psychological needs . The worth of an art - work , which we call its beauty , lies generally speaking in its values as a means to happiness . These values stand naturally in a causal relation to the ...
Pagina 591
... Psychological Descrip- tion , " Psychological Review , Vol . 44 ( 1937 ) , PP . 245-263 . Koffka , Kurt , “ Problems in the Psychology of Art , ” Art : A Bryn Mawr Symposium , Bryn Mawr , 1940 . Lee , Harry B. , “ On the Esthetic States ...
... Psychological Descrip- tion , " Psychological Review , Vol . 44 ( 1937 ) , PP . 245-263 . Koffka , Kurt , “ Problems in the Psychology of Art , ” Art : A Bryn Mawr Symposium , Bryn Mawr , 1940 . Lee , Harry B. , “ On the Esthetic States ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words