A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 103
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , ” and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , ” and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
Pagina 269
... pure listening , the best listening , on the other hand , may be less pure than purists love to think , and the best kind of musical experience may be one in which physiological and conative and imaginal elements - all kept in their due ...
... pure listening , the best listening , on the other hand , may be less pure than purists love to think , and the best kind of musical experience may be one in which physiological and conative and imaginal elements - all kept in their due ...
Pagina 327
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words