A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 347
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
Pagina 483
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
Pagina 484
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words