A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 158
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
Pagina 172
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
Pagina 176
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words