A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 156
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
Pagina 269
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
Pagina 461
... reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any ...
... reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in reference to what we are think- ing about , namely , the mountain , or rather the mountain's shape , which is , so to speak , responsible for any ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
22 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words